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Pinnacles and Pitfalls of Writers Groups

Though I obviously LOVE writing partners and writers groups, I’m also a huge fan of spreading the word about the need to find the RIGHT critique partner or critique group. Not all writers groups are made equal, and you shouldn’t settle for anything less than perfect. A negative experience or dynamic can do more harm than good to your writing and your confidence in your writing.

Today’s guest post comes from Ladies Who Critique member Cyndi Pauwels. She’s telling us about the pinnacles and pitfalls of writers group using her own experience. Don’t forget to leave a comment and tell us about your own pinnacles and pitfalls!

 

[Laura's note:Aren't we all this contented when we write? (!) Image courtesy of shootingstarsmag.blogspot.com]

 

Guest Post: Cyndi Pauwels

Writing is a solitary business. We spend hours upon hours alone, immersed in an imaginary world that can become more real than the one we physically inhabit, crafting phrases and sentences into a semblance of mental clarity and grafting them onto a blank page. Eventually, for most of us, the tales of our imagination are ready to be shared. But with whom? Mothers are usually far too approving, ready to hang even the roughest effort on the fridge with a fluffy kitten magnet. If willing, spouses and roommates are convenient, but they’re not always the best judge of character development and plot holes. For more concrete results, excellent sites like Ladies Who Critique offer a way to connect to those with similar backgrounds and experience levels.

 

Each of these possibilities is useful in its own way, but to grow as writers, and sometimes to shore up our sanity, we need more. We need an experienced viewpoint, a patient teacher, and a calming voice. We need a writers group.

 

My weekly group is my lifeline. Part beta readers, part critique partners, part support group, we’re a fluid mix of six to eight struggling authors who share evaluations, encouragement, and kick-in-the-pants accountability. Our regulars each bring a different strength: Tami’s English teacher background corrects our grammar, Lori focuses on continuity, Jim ruthlessly eliminates excessive adjectives, and James shows us how to set a compelling backdrop. I’m a not-so-closeted punctuation junkie, and I’ve been told I craft authentic dialogue. We complement each other, and after almost two years together, we’re a family.

 

If you don’t have a group, ask around at conferences (you do attend writer’s conferences, yes?) or your local bookstore. Although I hesitate to encourage any of us to get lost in social media, Facebook queries can be helpful as well. My group has its own (closed) FB page where we share links to interesting blogs, submission outlets, and workshop possibilities. It helps knowing a familiar and sympathetic ear is only a click away.

 

But as in any venture involving fragile human egos, use caution! As much as I adore my current tribe, I’ve also been in groups that were toxic. One such biweekly meeting many years ago was led by a frustrated community college teacher who wanted everyone to write her way, and bow to her self-aggrandized expertise. We disbanded, finally, after one young lady caused an insurmountable rift by trying to pass off chunks of writing from a Dean Koontz novel as her own. More recently, another group I test-drove for a few sessions had a bully who castigated me in no uncertain terms for questioning his obsession with what appeared to be unnecessary graphic violence. Needless to say, I politely bowed out.

 

Run from such toxic groups. Run from groups that try to rewrite your stories, to fit you into a mold that warps your personality or stifles originality. Almost as bad are those gatherings that are little more than pep rallies. Mom can do that for you, and she might have cookies.

 

Whether you meet once a week or monthly, share pages ahead of time by email or read aloud when gathered, the mechanics of the group aren’t nearly as important as the personalities and intent. When you find (or create!) the right mix of people, seeking, questioning, prodding each other along, striving to learn something at every meeting, you’ll know.

 

Because your writing will improve. And that’s our goal, isn’t it?

My thanks to Ladies Who Critique for allowing me to guest post on their wonderfully useful site. Their matchmaking was so appreciated when I needed a new set of eyes to tell me why my novel kept garnering rejections instead of yeses. The critique partner I found is a welcome addition to my network (Thanks, Marianne!). Follow my weekly ramblings at http://cpatlarge.blogspot.com

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Focus on a ‘Ladies Who Critique’ Critique Group, Part 2

Jani, Tracy, Ladonna & Juliana met on Ladies Who Critique in 2011. The foursome who reside on three different continents are in contact everyday. I couldn’t wait to learn more about them and their experiences being in a critique group! Find part 1 of their interview here.

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LWC: What advice would you give to writers entering a critique partnership or group?

Jani: If you’re thinking about getting a CP or starting a group, talk to people you think might be a good fit.  You have to be comfortable and trust your partner with your work, it’s important. Be open-minded. Accept that your work will be critiqued, it’ll be easier to take the feedback that way. Before you enter a partnership or group, get used to the fact that other people will finally read what you’ve written and share their thoughts with you, good and bad. The forums here at LWC are a good place to start and where I met my critique partners. We either talked in the forms or we followed each other from there to our profiles, Twitter, and blogs. This is a website created especially for finding critique partners so feel free to create a forum topic, describe your novel and what you want or need. There are still people looking for partners so you might just find your perfect fit that way.

 

Tracy: First, be upfront with a potential critique partner. Tell them what you expect and find out what they expect in return. I think you should try to get know the person(s) for a short period of time before exchanging work so you can get a feel for their style and see if it matches what they tell you about themselves.  I think after one critique you’ll know if that person is a good fit for you.  
Second, be honest in your critique. Don’t beat around the bush, ignore the obvious or go out of your way to candy coat something, doing any of that isn’t helpful and you’ve wasted both your time.  My motto is “brutal truth with delicate delivery”. You can be honest but be considerate of that person’s feelings.  Imagine how you would like to be presented with something about your work.  (Personally I like the Nathan Bransford sandwich rule: positive feedback, constructive criticism, positive feedback).

 

Third and most importantly, as hard as it is to not take it personally when someone who claims to be your friend is dissecting your work to the point that you question yourself as a writer – do not allow yourself to be down for more than a day. (And yes I will have to repeatedly remind myself of this) That should be all you allow yourself to wallow in self pity.  Have that in your mindset when you send out your work. Then take that valuable information that person took the time out of their lives to give you and use it to take your work to the next level.  As hard as it is to digest sometimes, no one can do it on their own, I mean, it’s possible but imagine how long it would take you giving your MS’s resting time to gain a fresh set of eyes. How many times have you read something and on the 10th time you just so happened to catch the simplest of errors? Your critique partners are your fresh eyes when you’re tired and weary of reading the same thing over and over but can’t seem to make it better -they can. They’re not trying to tear you down, although at first it feels like it, they are making your work greater.

 

Ladonna: I think you have to like the person you are working with. I know that seems obvious, but it’s true. If you don’t like or respect them, then you’re not going to value their opinion. You also need to develop thick skin. And know that the person is telling you this because they want to make your writing stronger. There are some people that are mean. If you get one like that, run.
You have to be ready to get the emails of elation, sorrow, and frustration. Writing is hard work and you need to know that someone understands and cares. Writers can and will do this for you.
At the end of the day, you have to remember it is your work. As I tell the girls, keep what you like and toss the rest.

 

Juliana: I would say to get to know the person you plan to exchange projects with. That’s what happened here, with our group. We met and talked a lot before starting to exchange anything. We knew we would be a good match because we think alike and like the same genres, books and such. And I knew I was in heaven when I found out Jani disliked going to the mall and shopping—like me!
Anyway, you have to be ready to hear things you don’t want to or won’t like, but keep in mind the critic is only trying to help you and you don’t need to follow the suggestions. It’s your work and you decide what stays and what goes. Also, we are all learning … about everything related to the business—about how to critique, the writing craft, the query process, the waiting!
And, most important, respect. Treat the other the same way you would like to be treated. Critiquing is a balancing act between giving and receiving.

  (more…)

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Focus on a ‘Ladies Who Critique’ Critique Group

Jani, Tracy, Ladonna & Juliana met on Ladies Who Critique in 2011. The foursome who reside on three different continents are in contact everyday. I couldn’t wait to learn more about them and their experiences being in a critique group!

 

Tell us about yourselves. Who are ya?

Jani Grey: I am a twenty something writer from South Africa.  By day I work at a local newspaper where I’m lucky enough to sneak writing in whenever I have a few spare minutes.  My boss either doesn’t mind or doesn’t know. I think it’s a combination of both. Oh, and I’m not a fan of shoes in summer, as I’m typing this I’m at work, barefoot.

 

 

 

 

 

Tracy Rohlfing: I am from and currently reside in St. Louis Missouri. I am a wife to an ex-marine, mother of a 2yo little boy. I work part time as well as a part time stay at home mom. I’m an animal lover with three dogs.  I love movies and books. I started writing nearly two years ago (I believe I’ve started several times before that while I was still in school but have only recently made it a permanent part of my life).

 

 

 

Ladonna Watkins: I’m a Canadian girl exiled to Southern California, and I’m a stay at home mum. I enjoy writing, reading, and running.

 

 

 

 

 

Juliana Haygert: I’m a Brazilian wife, mother, friend and writer. I started writing when I was 13 but only about two years ago the hobby status was lifted and I gathered enough courage to go for it. I lived in the US from 2004 to 2009 and have not-so-sure plans to go back next year. *fingers crossed*

 

 

(more…)

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When Critique Goes Wrong: Crit Group Calamities | With Janice Hardy


Janice Hardy writes fantasy and science fiction for teens. She also blogs about ‘taking your story from idea to novel’ over at The Other Side of the Story. Today she is guest posting about what happens when critique goes wrong, and what writers can do about it.

 

I’m very pro critique group, so folks often ask me to write about them. This time, I was asked to write about any negative experiences I’ve had. While I’ve been fortunate enough to avoid truly horrible critique experiences, I have had some situations that were less than ideal. Even in a great crit group, problems can arise, and how you handle then can mean the difference between fixing an issue and moving on, or a group falling apart.

 

Getting Personal

My worst experience was actually my fault. (more…)

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“Looking for a Critique Partner” | Listings As of November 23rd

I try to write these List of Members Looking for a Critique Partner posts frequently, copying and pasting member’s statuses and threads from the forum. If you want to be featured, be sure to update your status, or drop me an email letting me know you are on the hunt for a CP!

If I have featured you in the list below and you are no longer looking for a CP, please let us know in the comments below, or shot me a quick message (@laura) . Thanks!

1. @strawberryfields70

“Looking for a critique partner! I’m about 40 pages into my first draft (women’s fiction).”

2. @roxeannegalpin

“Currently looking for a critique partner.” Young adult/ women’s fiction.

3. @chealseathewriter

“Looking for a critiquing partner. Willing to be one as well!” Sci-fi & fantasy

4. @anamk

“critique partner required urgently,,, fantasy novel,, vampires//evil///white magic////romance!!!!!!!!!!!!!!!!!!!”

5. @blossomeze

“hey everyone, I’m currently writing a YA that isn’t fantasy or science fiction and I need a critique partner; someone who will follow me through my different stages of writing. hope to hear from y’all soon”

6. @stephanie

“Really looking for a critique partner!” Historical fiction.

7. @allyson

“I am looking for a critique partner. My WIP is about an angel who unexpectaditly takes the crown fron her parents in order to help one of her very close friends. But everything goes wrong and she ends up on earth, with her soon to be abusive ex husband who is hell bent on killing her and her family to take over her city with his human partner in crime.” Sci-fi & fantasy.

8. @diana2106

“My WIP is a YA/fantasy/romance about a young woman who finds out she’s a faery princess and the key to fulfilling a prophecy to end the war between the faeries. There’s magic involved, romance, and butt-kicking. I’m looking for a crit partner that will help make my story flow better. Someone who will be honest and be able to email regularly. There’s nothing worse than sending something to someone and for weeks to know what they think! In return, I will also respond quickly and be honest with my opinions. I have one critique partner, but would love other opinions as well! Msg me if interested!” Sci-fi & fantasy.

9. @hiroko

“A critique partner would be MOST welcome.” Sci-fi.

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“Having Your Book Read By Someone Else Is Terrifying” | Guest Post from Samantha March, Chick Lit Plus

Having your book read by someone else is terrifying. When Destined to Fail was still in its very early stages, I was the only one who had read it. I worked on writing it for one year––tweaked the characters, created new conflicts, deleted whole chapters and started new ones, and did a lot of editing and revising along the way. After about a year had passed, I thought “now what?” My manuscript was near completion, but what was the next step? The answer was terrifying––have someone else read it.

Writing is such a personal journey, whether you are writing in reflection to your own life, or created your characters and story out of only your imagination. Books are published and judged, rated and commented on, and everyone wants to leave their opinion. It was overwhelming after I finished Destined and realized that now I was going to have to let others read it. Rate it. Comment on it. I would be lying if I said I was a cool cucumber when those thoughts were running through my mind. I wanted to throw my manuscript in a drawer and forget all about it, never have to worry about getting a bad review. But of course––I didn’t choose that route.

One of my first critique partners was a fellow author, Cathleen Holst. She actually found me through my book blog, ChickLitPlus.com, and sought me out to review her debut novel Everleigh in NYC. I started chatting with her about my manuscript, my fears, and my journey so far into the writing world. She offered to help me by reading through my first chapters and giving me her feedback. I sent her the first few chapters, crossed my fingers for the best, and waited anxiously for her email.  When I received her reply, I was overwhelmed with gratitude. Cathleen really took me under her wing and gave me great advice––as a writer, a self-editor, and a reader. Little tips and tricks, recommendations on reading material, and a whole lot of enthusiasm and encouragement on my work really boosted my confidence in becoming a writer. I took everything Cathleen had said, and got to work with my revisions.

I later worked with Cathleen again, but I also expanded on critique partners. I have been so lucky through ChickLitPlus to have met some fantastic women and avid readers who jumped at the chance to get an early read of Destined to Fail. Jenn from Booksessed and Michelle from Just Jump both signed on to give my MS a read and give me early reviews, as well as any other feedback they had. Both women gave me extremely valuable thoughts, and I couldn’t be more thankful for the time and energy they spent on me and my book.

Critique partners are something every author needs. I read and re-read, edited, and edited again while I was working on Destined. I could recite the book in my sleep. I knew my characters inside and out, how they would react in certain situations, what one wanted for breakfast each day, how they spoke and carried themselves. But I could never have gotten my final piece, my final final proof copy if it hadn’t been for my critique partners. And simply put––my story would not have been as good. You need different opinions, you need to see how readers accept your story and your characters, and you need to make sure your vision plays out with your readers. I loved reading my critique partners early thoughts, what they took away from Jasmine and Nate and how they reacted to the ending. Without them, I would be blindly putting my work out to the public, not having a clue how it would be received. I’m not saying that everyone will love my book, or everyone will have the same opinions as my critique partners. That’s impossible. But I do have a better insight, better knowledge on the subject. And I was able to make some changes based on their feedback, and like I said earlier: change the book to be even better.

Critique partners are truly invaluable to authors. A big thing to consider when finding your partners is making sure you find someone who enjoys your genre. I think Ladies Who Critique is a fantastic idea, and will get you matched up with a perfect partner to make your experience with publishing the best it can be. If you are a first-timer, this process can be daunting. But in the end, you will see the benefits and be thankful for the work of your critique partner.  

Samantha March currently lives in Des Moines, Iowa with her boyfriend and crazy cast of friends. She also runs the popular book/women’s lifestyle blog ChickLitPlus, which keeps her bookshelf stocked with the latest reads and up to date on all things health, fitness, fashion, and celebrity related. Destined to Fail is her first novel and is out November 8th.

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Doing the Critique | MAKE SURE YOU HIGHLIGHT THE POSITIVE

This is a guest post from the wonderful Jolene Perry, whose writing blog can be found at www.jolenesbeenwriting.blogspot.com and author’s website is at www.jolenebperry.com.
You can find her young adult novel, The Next Door Boys here. It’s Out Today!!! Go check it out :D
 
Doing the Critique|  MAKE SURE YOU HIGHLIGHT THE POSITIVE

 

When I offer critique for anyone I’ve never done a crit for before, or even for long-time friends, I’m always a little nervous.

 

I SHOULD be nervous. Someone’s gong to be on the other end of this giving serious consideration to what boils down to MY OPINION on their words, their story, and possibly their chances for publication.

 

Now, I feel fairly confident when critiquing for beginner writers, but the longer I write, the more published authors I’m doing critiques for – and let me tell you, it’s intimidating. And I think it should be. Always.

 

Something that struck me recently is that highlighting the positive is just as helpful as pointing out where we need to improve.

 

I recently read an amazing manuscript. There was a lot of good stuff in there, and some things I wanted explained more fully, a few parts I ADORED that she was thinking of cutting. She was thrilled, because that’s the angle she’d wanted to take initially. I can’t wait to read it again and see what she’s come up with.

 

I’ve made comments on how things made me laugh, or how one simple phrase made me feel and understand the character better. This is SO helpful for me to see when other people make notes in my WIP. I want to know what makes people laugh, what makes them cry, the parts that touch them, because I’ve been surprised more than once.

 

And when a scene isn’t working, but something in there IS working, it might be able to be used somewhere else. This is good stuff to know.

So, just remember that it’s not just the corrections that help us become more publishable, it’s also highlighting and learning where our writing is the strongest.

 

And that’s my random bit of happy to share with you today.

 

How does positive feedback help you?

Or are you one of those who just wants to see what they need to fix?

 

 

 

 Jolene’s Next Door Boys is out TODAY!!

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Implementing a Critique Partner’s Suggested Changes | Meredith Jaeger

Happy Labor Day!

I’m not sure if it’s supposed to be ‘happy’ or not, but hey if you have the day off then I’m sure that you are :)

What better way to spend your day off than to begin implementing revisions to you WIP (ahem.) You’ve received some great feedback, now how do you go about putting these suggestions into play? I invited Meredith Jaeger, author of The Trouble with Twenty-Two, a novel about the quarter life crisis, to tell us her process of making the changes. Over to you, Meredith!

I have a confession to make. Up until four months ago, I’d never had a serious critique partner. I’d taken writing classes in San Francisco, but in the same nature you’d expect from the land of flower power, our group of aspiring novelists exchanged only kind words. These happy vibes were meant to keep us moving forward in our writing (and to prevent us from wanting to jump off the Golden Gate Bridge). But happy vibes don’t get you published. Tough love does.

Then the beautiful Sally Hepworth (an agented writer!) contacted me out of the blue, asking if I’d like to be her critique partner. She’d found me through my blog, which she enjoyed reading. I was humbled to share my writing with her. Sally and I had completed our novels, so we agreed to swap them, to perform a detailed content edit of each other’s work.

You can imagine my disappointment when I received an email from Sally, telling me my manuscript wasn’t quite ready to leave the slush pile. I’d done a year’s worth of revisions on my own. I hadn’t given her a rough draft for critique, but a manuscript I thought was polished.

Sally wrote, “I’m not sure if you’ve read Stephen King’s On Writing (if you haven’t, you must!) but he likens writing a story to an archaeologist removing a fossil from the ground. You have a great story here- you’ve removed the fossil intact. Now it is time to get out your tools and polish the fossil until it sparkles.”

My novel was 100,000 words long, but Sally felt it would be better at 80,000. She didn’t see enough of a character arc, and felt the writing could be stronger in the second half of the book. I felt overwhelmed by everything needing to be fixed.

I bemoaned to Sally over email my fears of never being published. She responded, “I can almost hear you telling the story of all the re-writes to a group of writing wannabes when you are published. I am not just saying this because I am your critique partner, but I honestly think you have what it takes. You write beautifully, and this is a very special, raw story.”

Sally’s kind words motivated me. For anyone else who finds herself back at square one, here’s a step by step guide to implementing changes from a critique partner:

- Breathe. Remember to take in the positive along with the negative. It’s okay to cry in frustration, but move past it and get to work.

- Take a few days to let the comments sink in. See which ones resonate with you. It is after all, your book. Sometimes the hardest changes are the ones that need to be made.  

- Make the biggest changes first, such as adding and removing scenes. For example, one of my big changes was cutting a plot thread in the novel where the best friends go to a Madonna concert. I went through and cut out all references to Madonna.

- Write new dialogue. I had to write new scenes from scratch, such as the best friends reuniting before the novel’s end. I allowed myself to write really badly at first, just to get words on the page. Later, I went back and polished my prose.  

- Start from the middle. As Sally says (in her awesome Australian accent) “I’d start from the middle, because in my experience you start off strong and by the middle you’re knackered and sick to death of your book and can’t be bothered editing clunky prose.”

- Go through the entire novel and make sure your changes have followed through to the end of the book. Make note of where you have loose threads. Use a system to keep track of which chapters you’ll need to revisit later.

- Don’t feel rushed. Agents who request revisions would rather get your manuscript back in a month or two, knowing you worked really hard, than after a week. Take your time.

- When you’re ready, send your revised novel back to your critique partner. If you’ve made the tough changes, she’s bound to tell you it’s fabulous.

One of the first things Sally wrote me after she sent me her critique was that she hoped we were still friends. This touched my heart. Being honest with someone about the flaws in their manuscript isn’t easy, but it’s what a good friend should do. I’m so grateful to Sally for sharing her feedback with me. Sometimes it’s been hard to stomach, but I’m a better writer because of it. If I earn the honor of being a published author, I will surely thank Sally in my acknowledgments.  

Meredith Jaeger has been in love with creative writing since she was a little girl who drew skateboarding cats. She lives in Oakland, California with her fiance and overweight feline friend, Sylvester. She writes women’s fiction and her first novel is titled The Trouble with Twenty-Two. She blogs at http://thetroublewithtwentytwo.wordpress.com/ and tweets at @meredith_jaeger. Please say hi!

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The Connection Between Critique & Getting Published | Author Joyce Sweeney

I started an ongoing critique group in Fort Lauderdale in 1994.  My reason was, at the time I was teaching five-week workshops where everyone would make great progress – for five weeks.  I’d check in with the participants later and find out they had gotten caught up in life again, weren’t writing much etc.  So that made it clear to me. Critique groups had to be ongoing and forever.  Not just because people need the critiquing.  Because they need the support. 
 
In 1995, our first workshop participant got a book contract.  It was Noreen Wald, who now writes successful cozy mysteries under the name Nora Charles.  Her book was non-fiction, a memoir about her life as a frequent contestant on Jeopardy. Our group was energized by the vision of one of their own actually getting a book published. 

 

This made everyone suddenly raise their game and by 1997, we had two more people with contracts. Still only non-fiction, which taught me that valuable lesson. The fiction writers take longer.  By 1998, we had seven people published and we began holding ceremonies to honor contracts, with ‘magic beans’ given out, rattles shaken and huge fanfare.  The point of all this was to put a goal in front of the participants. 

 

Writers need to know two things to be successful — that they can get published (because if they do everything they need to do they can) but that it takes a long time and some of the tasks are harder than others. Today I have three groups that have taken 33 people to traditional publication and we show no sign of slowing down. 
 
Here are some of the things the critique groups do for the members:
 
- Give them a sense that someone is expecting them to show up and bring writing
- Comfort them and reassure them when the writing isn’t going well or the rejections are piling up
- Offer information and suggestions from their own agent and editor quests
- Share war stories
- Learn how the industry works from each other’s paths
- Celebrate successes together
 
Oh, and they critique each other, too!  Yes, that’s the stated intention, the thing we do 90% of the time.  Group critique is wonderful for correcting your inherent language flaws; the over use of the adverb, the cliche, the wrong balance of narration to dialog, all those little notes they give each other. 

 

But most of my group members rely on me or other professional editors to work with them on the bigger issues of plot, structure, workable concept etc. That’s hard to work on in a piece by piece, week by week setting.  Most of my successful group members also take classes and seminars to work on their weak areas of lack of knowlege about some aspect of craft. What the group does for each other is to continually set and raise the bar for the participants. 

 

These people know you. They know your work over a long period. They know when you’ve stumbled on the greatest idea of your life…and when you’ve headed down a blind alley.  They can tell you you are better suited to mystery than romance or that your real voice comes to life when you bring in a children’s book.  They get excited when you have a breakthrough and jump to the next level. 
They give a warning when you are slacking on craft or just not trying hard enough.
 
But most of all they are people in the same boat.  Let’s face it, our family and friends don’t have a clue what we’re doing…just that it takes a long time and doesn’t bring in much money.  The industry communicates to us through cryptic rejection letters that Sherlock Holmes can’t interpret.  Only the critique group feels your pain, shares your success, understands your progress. 
 
A really good critique group will keep you in the game long enough to win…and throw a very nice little party for you when it happens.  That’s all we as writers really need or want. 
Someone to say, “You’re good. Keep going.”
 
Joyce Sweeney is the author of fourteen novels for young adults, many of which are award-winning. Joyce runs a successful manuscript critique business, is partnered with Jamie Morris in The Next Level weekend  writers intensives and retreats, and conducts  three ongoing workshops in creative writing which have so far produced twenty-nine published authors. She lives in Coral Springs,Florida with her husband Jay and cat, Phantom. Find her at www.JoyceSweeney.com

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Critique to Help the Author, not Yourself | Victory Crayne

Victory Crayne, author of the Internet article “How to Critique Fiction” and a professional independent editor at www.Crayne.com, is a seasoned critique group participant. She talks to us today about how to critique a work in order to help the author, and not follow our instinctive reaction to help ourselves.


I’ve participated in many critique groups over the last 15 years. My take-home has been in three parts:

(1) I became more sensitive to weaknesses in the writing of others, and therefore became more sensitive to those same weaknesses in my own writing

(2) I have often found some really good examples of ways to write something that I had not been aware of

(3) I’ve learned from other critics how to do a better job of critiquing.

All writers (nonfiction and fiction alike) need feedback on what they’ve written. “Feedback is the breakfast of champions.” – Ken Blanchard and Spencer Johnson, co-authors of “The One Minute Manager”

The least expensive way to get feedback on your writing is by participating in a critique group. It’s a case of “you show me yours and I’ll show you mine.” Well, at least in the clean sense of those words. You know what I mean! (more…)

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